Whether Freedom At Midnight 2 has a political agenda, a bias or two will be read into it, depending on the affiliation of who is watching, notes Deepa Gahlot.
'Had these leaders known that Jinnah was dying...'
'I have no idea why I was so many film-makers' choice for Jinnah. I assume it is because I was born and bred in Mumbai and speak English.' 'There's also my name, people tend to believe that a Muslim character can best be played by a Muslim actor.'
Special Ops 2 captures the spirit of the modern-day spy thriller and runs with it, observes Deepa Gahlot.
'Whatever you do will spark controversies, so it is best do what your heart tells you to do. Simple.'
'When you watch Freedom At Midnight, I want you to feel like you are sitting on a ticking time bomb.'
'About whether I'm worried it will blow up into something, no, I'm used to these things.' 'I am a voice in the city and have said quite a few things that may have ruffled feathers. But I stuck with them because it's your truth.'
Film and television actor Arif Zakaria shares his tips on money and relationship mantras.
Father and daughter... mother and daughter... an emotional time for team Raazi.
Freedom At Midnight is a bold attempt to revisit the whole discourse about Partition, its causes, and the predicament under which the Congress leaders accepted it. It perfectly captures the extremely confused and complicated situation to which it seemed the only viable solution, observes Utkarsh Mishra.
The year was rich in content as far as Web series were concerned.
Surrounded by a mass of needy professionals, weepy family members and terrified miners, a one-note Akshay basks in all the attention, thumbs down Sukanya Verma.
Shoorveer revolves around the done-to-death India-Pakistan rivalry, which is no longer engaging, observes Namrata Thakker.
What Ahaan lacks in film-making, it makes up by way of humble charm, observes Sukanya Verma
There's merit in the premise of 420 IPC but Manish Gupta's flat execution never delivers its promise, feels Sukanya Verma.
The hits and misses of the week.
The hits and misses of the week.
The military establishment is in no mood to forgive or forget Imran's anti-military utterances, observes Rana Banerji, who headed the Pakistan desk at RAW, India's external intelligence agency.
1997: Sukanya Verma offers a recap of its memorable imagery.
As Raazi hit theatres, Harinder Sikka -- author of Calling Sehmat, the book on which the film is based -- reveals the thrilling real life story of an Indian spy named Sehmat.
If General Asim Munir, Pakistan's new army chief, wants to help defuse the current polarised atmosphere and shepherd civilian politicians towards negotiations on an acceptable date for elections, he may need to distance himself from any perception of needless hostility to Imran Khan, explains Rana Banerji, who headed the Pakistan desk at RA&W, India's external intelligence agency.
What has not changed in a decade is the character of Rizwan Khan. He is complex, multi-dimensional and lovable. In fact, his character continues to grow on you, notes Mohammad Asim Siddiqui.
Major mosques and idghas, which see tens of thousands of people offering namaz on Eid and then embracing each other, remained mostly empty perhaps for the first time on the festival as the government has prohibited all kinds of religious gatherings to prevent the spread of the coronavirus.
Aseem Chhabra picks the scenes that left him impressed this year.